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Use of this Web site constitutes acceptance of the Aishwarya Rai's World User Agreement.It's the year 2147. Put any half-competent actor in front of the camera in a project with such a strong foundation and it won't make a difference - it will work.Īishwarya Rai's World All Rights Reserved. That there are three good actors in these roles is an incidental finding. THAT, my friends, is what makes a film run nowadays, and by those standards alone - "Taal" is a hit. Anil Kapoor or Akshaye it's about the team behind the scenes. Ghai's intelligence by comparing his film to any of the other recent releases. Ghai himself come together to create a very, very powerful force. Rehman, Sharmishta Roy, Anand Bakshi, Shiamak Davar, Ahmed Khan, Saroj Khan (all three hotshot choreographers), and Mr. He wins half of the battle by putting together what is arguably the strongest production team of the century. Rehman's music is divine as are Anand Bakshi's lyrics. Sharmishta Roy creates a beautiful set for Aishwarya's family home and another impressive one for Vikrant's studio. Incidentally, Saroj Khan reminds us through this song that she is the original queen of choreography. The title song (in its un-remixed form) is pure celluloid poetry. Ghai and cinematographer Kabir Lal use Aishwarya's beauty to conjure up some incredibly gorgeous visuals that burst out at you from the screen. Kapoor, you deserve an award and then some. True, he has all of the good lines, but still - he takes these lines and runs with them. Anil Kapoor, however, steals this show with the author-backed role. Aishwarya further demonstrates her radiant beauty, evolving acting talent, and amazing dancing capability. Akshaye demonstrates that he is one of the most sincere actors on the Hindi screen. A chauvinist might argue that this is a true woman.Īll three of these characters are played to perfection by the leading trio. When a man who Manasi feels nothing for asks her if she loves him, she is able to lie and say "yes" with a straight face.
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Although she is easily the most poorly-defined of the characters, she is seen as the innocent lover who becomes lost in the power and cold-heartedness of her new profession. Sometimes he speaks evil and does good, while at other times the opposite is true.
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With Vikrant (who is THE most intriguing character of the film), one never knows if he is evil or good. Manav first comes off as the possessor of great inner-wisdom, but he surprises the audience when he is quick to lose his temper and is able to call off his relationship in a rash, whimsical manner. Every character is neither good nor bad - but grey human beings. What is more interesting is the characters Ghai creates in this story. Manasi moves on to stardom and companionship with famous music remixer Vikrant Kapoor aka Kapu (Anil Kapoor), while Manav realizes the error of his family's ways and tries to win Manasi back. Manav falls in love with Manasi, but due to the rich man-poor girl differences (and the usual rich, scheming relatives), the two fight. Jagmohan, while at a hill station, meets famous local singer Tarabhai (Alok Nath) who just happens to have an attractive and talented daughter, Manasi (Aishwarya). Manav (Akshaye) is the son of Jagmohan Mehta (Amrish Puri). The storyline of "Taal" itself is extremely predictable. Ghai's strong points, and not since "Karz" has Ghai truly come up with a gripping plot. The one thorn in the creative scheme of "Taal" is a major one - the storyline. Is "Taal" the ultimate in creativity? Certainly not.
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My opinion: Is "Taal" amazingly entertaining? Certainly. Now, I know that fans don't need an excuse to argue over the merits or faults of a big budget venture, and we at Indolink get plenty of hate and love mail after every review we print, but "Taal" might just surpass all the hoopla of the past. I suspect that in the coming weeks film buffs around the world will now have another point to argue over.